Showing posts from February, 2020

Grey Daze with Chester Bennington

Before the late Chester Bennington became the frontman for Linkin Park, he was the frontman for an unsigned Arizona-based grunge band called Grey Daze. In April 2020, an album titled Amends is set to be released, containing 11 songs from Grey Daze’s ‘90’s repertoire, using Bennington’s original recorded vocals but with the music rerecorded by surviving Grey Daze members Sean Dowdell (drums, backing vocals) and Mace Beyers (bass), and new guitarist Cristin Davis. Grey Daze originally self-released two independent CD’s in the ‘90’s: Wake Me (1994) and …no sun today (1997). On both CD’s, Bennington co-wrote the lyrics with Dowdell. These two CD’s have long been unavailable, and have been much-bootlegged in the past two decades following the success of Linkin Park. The 1994 CD Wake Me mostly has the type of Seattle-style grunge sound which was then fashionable, and is particularly reminiscent of Alice In Chains. The guitarist on this CD was Jason Barnes, and the bassist was Jonatho

Billie Eilish "Party Favor" (2018 Record Store Day single)

On Record Store Day 2018, Billie Eilish issued a 7-inch single, pressed in pink vinyl and limited to 2,000 copies, featuring an acoustic version of her song “Party Favor” on the A-side, and a similarly acoustic cover of Drake’s “Hotline Bling” on the B-side. The teenaged alternative pop artist often performs these two songs together live, presumably because cell phones figure prominently in the lyrics of both songs. Now that Eilish has become a chart-topping, Grammy-winning sensation, this limited-edition single has become quite pricey on the collector’s market. The acoustic version of “Party Favor”, the original version of which appeared on Eilish’s 2017 EP dont smile at me , finds Eilish strumming her ukulele and singing without the studio effects, with mild musical accompaniment by her brother/producer Finneas O’Connell (who makes his own recordings under the name FINNEAS). This track presents a scaled-back variant of the EP’s Lorde-meets-Lana Del Rey aesthetic; Eilish sounds part